bad dreams

the human mind is an incredibly powerful entity. my dream recall isn’t always reliable. this post is an account of what was, quite possibly, one of the most vivid and terrifying dreams i have had. i woke up with a shock. shivering with panic. the nape of my neck was damp, and my face was wet. i woke myself up with my screams.

after a few deep breaths, i realised i was safe in my bed and nothing could harm me. my cat, Alf, was curled up, asleep, by my side.

but the dream was visceral. colourful. and i remember certain smells…

i decided to record my recollection of the dream, in as much detail as possible, in the voice memo app of my iphone, plugged in at my bedside. i had to do this quickly before it retracted, recoiled back into the dark jaws of Hell from where it came from…

it was 3.34am on the clock.

i find myself in a big building. i don’t know why i am there. i can’t remember why i am there. but it’s a big building, foreshadowing evil, with lots of rooms and staircases up and down – some leading nowhere, like a riddle. the building appears to be in the middle of being refurbished. there are building materials everywhere. tins of paint tipped over and spilling everywhere. piles of bricks and rubble. the people who are refurbishing the building are there in their work clothes and entertaining whores. they are all doing drugs – snorting coke off each other’s hairy backs, smoking weed and blowing it back into the mouths of whores and there is a lot weird things going on. i try to blot it all out as i am desperately searching for my (then) boyfriend. everyone looks ugly and distorted. ghoulish. i can feel my heart race in blind panic.

i run up a flight of stairs. there’s a big TV hanging off the wall and there is horse-racing on. even the horses look ugly, distorted, tortured and in pain. crying, in a cold sweat, i go looking frantically in all the rooms. each room is full of people. some faces are strangely familiar. i sprint up another flight of stairs and there is loud music. deep house music. the walls are vibrating, my chest is pounding with my racing heart and sub bass. there are bare wires and buzzing lights. the refurb is shoddy. there are holes in the staircases and flooring. you have to watch your footing. everything seems to be covered in thick rugs and carpets, nailed to the wooden frames of wall cavities and stairs. the building reeks of mold.

i am looking for my lover and i can’t find him. i come out of one room and quickly into another. it is like a bar. people eating stuff. disgusting stuff. the smell is like rotting flesh. people, with the same demonic faces are drinking, gorging on flesh and smoking. smoking peyote. the room is filled with evil. they laugh as food and spit and vomitus spews from their distorted and ghoulish mouths. they are terrifying. i keep asking people if they have seen my boyfriend. they just laugh in my face or lie and send me in the wrong direction.

i run upstairs again. i find myself in an empty room where there is a glass wall much like a zoo enclosure. i look through the glass into another world. a beautiful world. a beautiful, modern and contemporary home – much like one Frank Lloyd Wright could have designed. it is minimalist, tasteful. it is a glimpse into another world. a perfect world. but still i can’t find my boyfriend so i leave that space behind and keep searching.

but i can’t find him. there are crowds of people. dirty people. nasty people. they are all busy with their own hedonistic pleasures. they are all laughing at me. some are covered in their own faeces. i am crying. and they are laughing. i take a step backward and fall.

at first i think i’ve just missed a step and then quickly realise that i am still falling. i am falling through another storey of the building. oddly, i had the presence of mind to not panic. i land on my feet and immediately drop and roll. luckily, i did not break my ankles. it was all so strange. i had landed on a really thick rug. there are lots of women in this room. they all stare at me. they are all different ages. all their faces are distorted, like evil demons. some look rough, and they all have teeth missing. one woman is sucking on a cigar. one woman says to me: “it’s nice to see you again, Kathryn” but i do not recognise her. i ask her if she has seen my boyfriend? i describe him and show her a picture of him on my phone. she says “yeah, he was here a short while ago… he might have gone back upstairs. have you been upstairs yet?” as i turn around to go back upstairs, i hear her mocking me… laughing. her laughter is shrill and hurts my ears.

i bolt up a spiral staircase and notice another dangerous hole in the stairway that had been haphazardly covered with a thick piss-stinking rug. i pull the rug back to expose the hole and i see someone downstairs who looks like my boyfriend. i shout and scream but he doesn’t hear me. i run back downstairs, shouting and yelling, asking him to wait for me but he keeps walking away from me.

without warning, a guy grabs me. he is drunk or high, or both. he is bald and brown-skinned. he may be Mauritian or Maldivian. he looks like he is from the Indian Ocean. he grabs me and lifts me up. i can feel his erection pressing into my stomach. his grip is tight. he has no teeth and his breath stinks. i start punching him in the head. screaming. he yells over to his friend in a denim shirt with long grey hair: “hey Bill, what do you think….? shall we have a bit of fun with this one?” i keep punching him and gouge his eyes with my thumbs, with a strength i didn’t realise i had. he drops me, as he screams in pain, covering his bleeding eyes. i look down at my feet. i realise i have bare feet. i kick him square in the balls.

i feel panicky. where were my boots?

the man called Bill walks over to me. he stinks of rotting fish and whisky. he looks evil. he reaches out to me. i pick up a brick and hit him square in the face. i hear a sickening sound as his face bursts open. i turn and run away, back round to where i saw my lover. but still, i can’t find him anywhere.

a woman comes up to me and says “Kathryn… its me… it’s Mum!” but she doesn’t look like my mum. i feel so confused. i say to her “who the fuck are you?”. she says “it’s me! it’s Mum! why don’t you come and see me these days? i never see you!” to which i reply “you’re not my mum! FUCK OFF!”. she is a small woman with dark hair scraped back off her face. she has green teeth and her breath smells like cat food. she is ugly and has the same strange familiarity. i panic. had i been drugged? why does my mum look like that? “i can’t come see you. i will come see you soon. but i can’t come see you. i have no car just now”. at that point, she suddenly looks like my mum and i hold her so close and tight. but i have to leave her. i have to go find my lover.

i wander into a corridor where i see a tall, beautiful girl with long dark hair. she looks native american. she stands out from all the other women and girls in the room. she is wearing a purple poncho and has a single feather as a necklace… a beautiful feather, like from an eagle, or a hawk. she is beautiful but she looks sad. all the other women throng around her. one woman i recognise as my old neighbour, from a previous address, says “oh… that’s so and so… she took her own life with our special drug just yesterday” and i say “so she’s dead?” some of the women mutter among themselves and one asks “so you can see her?”. i say “yes, i can see her…” they tell me they are going to exorcise her spirit. they throw petrol over her and one of the women starts splashing petrol everywhere. there is an awful burst of flames and i watch her body, her spirit burn. the smell is indescribable. i look around i see everyone laughing, dancing a wild dervish. i turn and run down a corridor, one with really soft carpet beneath my feet. my bare feet. and i am thinking ‘where are my boots… my beautiful elephant boots that my boyfriend bought me?’ i am looking everywhere for them. i am crying so hard as i loved those boots and they remind me of him, and everything we shared.

i go back upstairs and i end up in this room that smells of sweat and sex. it’s dark. i can barely see. three men come in. the first one smiles to me. i recognise him. he is a big big man. big, like a grizzly bear. i recognise him in my dream and from real life. he is a pretty famous guitarist so i shall not name him. he is naked and sits on the edge of a big day bed. the other two strip naked and join him on the bed. and they all start masturbating each other. one is suntanned and slim, with ginger brown wavy hair. he is smaller than the big bear. the third man starts to convulse. i look around and see lots of heaving bodies. there are crowds of gay men having wild hardcore sex all around me… grunting and groaning. the noise. the smell. i leave. i apologise to them. i don’t mean to be here. i am just looking for my boots.

i run downstairs, back down to the viper pit of horrible women, with the smell of petrol and burning flesh. i say to one woman that i am looking for my boots. i tell her they’re white, with black elephants on them… i have to find them. and i am crying so hard. i need to find these boots. i need to find my boyfriend. the woman laughs and spits on my face. she says “try the shoe basket by the door, you stupid cunt!” i run over to the wire shoe basket and look, frantically, for my boots. on the top shelf of the wire shoe basket, i see white boots with elephants on them, but they are not my boots – these ones have pointy toes and stupid little heels. i slide down the wall, crying, in despair. they are not mine. this woman comes up and says “what is wrong with you, you stupid cunt… you’re wearing your fucking boots!” i look down and see them. i feel some sense of relief. i hear my lover’s voice calling my name but i can’t find him. i can’t see him.

and it is at this point i woke up. my mouth was dry. i was shaking. after a long drink of cold water and a cuddle from my cat, i returned to bed and turned on a podcast to distract my mind. it was 4am.

but that was not the end of this night of nightmares…

i awoke around 5am, again in a panic and cold sweat…

i dreamt that someone had broken into my house and was kicking my cat around the flat. i was screaming. crying. my cat was screaming, he was terrified. i could hear his body smash off the walls. i jumped onto the back of the assailant and pulled his hair, scratched his face and bit off his ear. i was screaming to my boyfriend to take our cat somewhere safe. he did. he was there. our cat was wet with urine. my poor baby had pissed himself with fear and was shaking. i said to my boyfriend “hold him, hold him close… is he okay?” we were both crying, seeing our beautiful cat in such a state….

again, i woke up in a fevered sweat. panicking. i had to find my cat. i cried with relief to see he was lying next to me, on his back, legs akimbo. completely oblivious to the madness inside my head, thankfully. i, on the other hand, had a galloping heart, a dry mouth, sore throat and a small bruise on my thigh.

i got up and made sure the door was locked, returned to bed and put on another podcast to help me through the night. thank you Ricky Gervais, Stephen Merchant and Karl Pilkington for the much needed distraction.

From 2020.

(c) Kat McDonald

bedtime stories

can i hold you?
please?
[i need this]
closer…
lean into me…

[she strokes his back]


Ssh!
don’t talk…
just feel…
do you feel it?
[do you feel anything?]
be present with me…

please…

[she exhales]

closer…
come closer,
please…
your skin…
it’s so…

what?
what did you say?
i’m sorry…
i thought you said something.


[silence]

[she inhales]

i love how your hair smells…

[silence]

goodnight

x

[she kisses his back]



words (c) Kat McDonald 2025

p.s. it’s been a while, innit?

Dear Listener: an open letter

As an artist, you just never know where inspiration will come from next… it can be unpredictable. a bolt from the blue, or a muse whispering in your ear…

but mostly it comes from within. from the subconscious, or, triggered by life’s rich pageant of experiences – good or bad.

i have, for the past two and a bit years, been locked away. some of it through my own free will and some of it, sadly, by Government imposition, i.e. lockdown. i have taken time to learn and grow as a musician and songwriter.

i have been writing and recording a handful of songs that had been inhabiting my headspace for some time and i now have fifteen songs, from inside me.

i’m not gonna lie, it’s been a steep learning curve – teaching myself the rudiments of music theory, how to play the piano, bass guitar and reaquainting myself with my guitar, which up until recently i hadn’t really played much.

so, with rusty fingers, a head full of tumbling thoughts and a heart bursting with raw emotion, i began on this journey, with the vehement encouragement of my partner, <<AGED CHOIR BOY>>.

two and a bit years later and i have completed my debut solo album, of which i am extremely proud. i did it, despite frequent bouts of imposter syndrome… but i did it.

and i could not have done it without my partner’s assistance. terms such as ‘DAW’ and ‘sine wave’ were a complete mystery to me two years ago, but i am learning… every day is a school day!

i wrote these songs, initially as form of therapy, if you like… a means of turning a negative, and often traumatic, experience into something positive that perhaps anyone who stumbles upon my music can maybe relate to in some way.

have i tickled your curiosity enough to make you want to listen? if so, you can listen <<here>>

so why this open letter….?

i know that time is a precious commodity these days so when people tell me that they’ve listened to my album, taken time from their busy lives to listen to my music, i feel humbled and truly grateful… because that’s why we artists create isn’t it? to share our creations with others… so that means a lot to me.

so, with that said, thank you… to all of you who have shown your support over the two and a bit years. my heart is yours… x

sincerely,
Kat, but you can call me Miaow, like my cat does…

ps. i have added, in the caption/description, a little bit about each song’s origin and/or what inspired me to give each song its unique voice. i hope they resonate with you….

windows

a baby’s shoe on the window sill… a plastic vase full of pink plastic roses… closed blinds… wooden blinds… window sill stained with coffee rings… blue blinds… a blue giraffe… an array of pottery mushrooms that look like a row of tiny penises… all shapes and sizes… a stained glass window, very William Morris… grubby curtains, closed… a vase of daffodils… pro SNP stickers: “Scotland’s future is stronger” – i doubt that… a jar full of incense… more yellow SNP stickers… aluminium blinds… wooden blinds…. narrow slats, broad slats, broken slats… a dirty window… a grease-smeared window… a steamy window… a host of birthday cards, lots of hearts and flowers… an empty pint glass, adorned with a red lipstick smear… a black and white cat, licking his paw and washing his face in the sunshine… a vase of pink and yellow flowers… a statue of a dragon… broken blinds… a stained-glass window, a pastoral scene, cornflower blue sky, golden sun and rolling green hills in all shades of green… caged windows… bars on windows… a mobile of stuffed birds, i would rather see these birds alive in flight, not strung up on a piece of cord with their dead eyes and limp wings… pink plastic flowers in a pink plastic tub… four empty champagne bottles… a little wooden sign that spells ‘happiness’… a boarded up window… a ‘bag for life’ – contents unknown… wooden blinds… torn curtains… an assortment of seedlings in colourful little pots, soaking up the sun… plastic gnomes, one with a broken nose, looking out and longing for the garden… nicotine stained net curtains… an empty can of some high energy drink… pink orchids, are they real? two silver stars… a hanged leprechaun – did someone not enjoy St Patrick’s Day? plastic plants, faded by the sun… rainbows and wind chimes… a black ornament that looks remarkably like a butt plug… maybe it is… frosted glass, i can’t see inside but their garden looks really pretty… a vase full of dead flowers… bird shit on the window… baby’s shoe on the window sill…. come full circle…

this is a casual observation into the lives of strangers, made on my walk to and from work… i do not judge. i just say what i see… through the windows of peoples’ homes, their lives…

the somnambulist

hello….
as some of you may already know, i write, i take photographs and i make music. i am a creative little sprite… most of you won’t know this as i don’t really have much of an online presence with regards to social media. i have an instagram page – mainly for my photography work; i have wordpress sites for my writing outlet and i have soundcloud and bandcamp as my main musical platforms – although i am also on Spotify, iTunes, Applemusic, Deezer, Googleplay etc etc etc… i also have a YouTube channel that i currently under-utilise. i have no facebook or twitter or tiktok or whatsapp etc. i ditched facebook and twitter a year or so ago. i found them toxic and discriminatory. i found them to be a viperpit of hate, and full of fakery. i have tried to delete my instagram account but it’s like the Hotel California… i can never leave, it seems. despite me writing a stiff letter to them on numerous occasions, begging them to delete me.

so… i, being who i am, felt compelled to write a song about all the fakery of social media and all that that festers… it is a song called The Somnambulist. it is about the toxicity of social media (hence the blue tongue) and the fakery and virtue signalling going on in there….

when i was writing the song, i could hear trumpet blaring…. i wanted the lead instrument (aside from my voice) to be loud, brash, rude and direct… mocking, if you may. the trumpet would be perfect for that, so i sent a rough mix of the song to my friend, Cameron Jay, one of Edinburgh’s finest jazz musicians and asked if he would like to play some trumpet on a song on my forthcoming album. he did. he recorded several takes and myself and my producer, Aged Choir Boy, edited the takes here and there to use the trumpet’s brash voice for emphatic effect.

if you’re at all curious, here is a link to go listen…. LISTEN TO ‘THE SOMNAMBULIST’ HERE and for those of you who want to DOWNLOAD it, here’s a link to do that DOWNLOAD ‘THE SOMNAMBULIST’ HERE.

thank you for your time…. and thank you for listening.

it’s important to support new artists. we’re always the most appreciative. xx

Promenade


image (c) Miaow McDonald Photography 2021


today i took a walk along Kirkcaldy Promenade. it was a cold day, but the sea was a flat calm. like a black mirror.

promenade also means “to take a leisurely public walk, ride, or drive so as to meet or be seen by others…”. i found this interesting and relevant, given the amount of people walking the same walk as myself. i was walking to work but, ahead of schedule, i paused to watch the world go by. the Promenade was a busy place today. lots of people. everywhere. despite the brisk breeze blowing in from the open sea.

the tide was in. the sky was grey. the clouds hung out like giant ink blots. grey sky, grey sea, grey road, grey sea wall… a new sea wall… the result of more money invested in re-vamping this once thriving seaside town.

looking out at the murky horizon, i could barely make out the distinctive shape of the Bass Rock.

two oil platforms and one, two, three, four ships on the water. one of which looks like a cargo boat, with lots of colourful boxes stacked on top.

i giggle to myself as a Yorkshire terrier runs past me and stops to smell another dog’s puddle of piss.

a cyclist in pink trainers, sporting a pink water bottle and a pink face free-wheels past me.

it’s a busy place today.

a small child cries out for his mother. he has a runny nose.

today, there are lots of couples out for a stroll along the Esplanade. a promenade. they stop and chat briefly with other couples.

at the start of the Promenade there is a chequered line and a sign that says “Welcome to your Kirkcaldy Mile” – or words to that effect… i am guessing there must be another chequered line at the other end, to mark out that ‘Kirkcaldy Mile’. i don’t think i have ever walked that far along. maybe i have… i can’t recall. or maybe it’s just one of those things i never thought to look for as i have walked along this Esplanade many, many times… on an almost daily basis… and i have never noticed that sign until today!

another elderly couple walk past. the man is incredibly tall, rakish. they both look fit for their age… which i am guessing late 60s. they are holding hands. it’s lovely to see that they are still very much in love.

there is still a lot of construction and deconstruction work being carried out along the Prom as efforts are made to rejuvenate this strip and make it more attractive. a cold grey Riviera. new little car parks are appearing on the inland side. another revenue stream for the Council. more new blocks of flats spliced in between beautiful old buildings, although there are some architectural monstrosities… like the old multi-storey car park, built in the 70s. its then modern style has not aged well. it looks like it has been uprooted from war-torn Damask and dropped into place here. a carbuncle on the backside of Fife Council’s portfolio of architecture. i hope they pull it down.

i look out to see the sea. are they fracking the seabed out there? fuck knows.

a young woman in a black quilted coat has just walked past me, her mobile phone tucked under her chin as she tries to open a tin of Diet Coke with ridiculous long orange pointy nails. i smile to her but she does not return the smile. she has her hair scraped back from her face. she reeks of perfume. she has thick legs and her feet look like they have been shoe-horned into her black patent leather moccasins that seem to be two sizes too small for her.

a boy and his dog walk past and all i can think about is how they say that we, on a subconscious level, choose pets that look like us… i think that that is particularly true of dogs. i don’t think it’s true of cats. i don’t think that is possible. the boy and his dog could be brothers. they have the same squashed faces, squat build and short legs.

the cyclist with the pink trainers, pink water bottle and pink face pushes on past me in the opposite direction from before. she is pedalling hard this time. good for her. keeping herself fit!

a group of people approach me from my left. they have a huge Siberian husky with them, with a neckerchief around its neck. what a handsome dog, with his blue eyes. he, too, stops briefly to sniff the puddle of dog piss to my left.

i watch a seagull soar above my head. such a beautiful bird. i know some people regard them as a nuisance but i love them. to me, watching them glide on the thermals, they epitomise freedom.

all these changes must be affecting them too. more boats and ships in their sea. more pollution. more people on beaches. more pollution. more plastic. less fish. more rubbish and litter. why are seagulls pilfering kebabs and pizza?

so… if ‘promenade’ means a public walk way, to be seen or to meet… what about the collision of nature with man, or man with nature?

it’s all very well tarting up the Promenade to attract prospect and opportunity for economic growth, but at what cost to the wild:urban interface?

i will just leave you with that thought… i will leave it hanging there, like one of the dirty clouds now amassing overhead.

a dead high street

Kirkcaldy High Street was once a thriving, bustling thoroughfare. now all i see is decline and decay. empty shop units, their windows smeared in white grease… or boarded up with panels of damp and dank chipboard. if you stop and peer into these vacant lots you will see the past. you will see remnants of better days. you will see broken mannequins, standing like ghosts in the empty space… piles of junk mail in disarray behind boarded up doors… dirty floors, littered with broken fittings and redundant fixtures… discarded signs and price tags… abandoned cans of coke, pens and perhaps the odd glove or mask… or shoe. feathers from the units’ new residents – pigeons, who have found a way in, seeking refuge from the bitter cold winds that funnel up the many vennels from the Esplanade. sadly, you may also see a dead bird. the unlucky bird that could not find its way out again, lying rotting upon the floor.

now pedestrianised, i remember a time when this High Street was once choking with cars and leaded petrol fumes. a time when parking places were as rare as hens’ teeth. now it is empty. occasionally, cars creep along its length – seeking a short cut, or to drop off hugely optimistic shoppers.

the Mercat indoor shopping arcade still exists. its doors are still open but it is a gloomy and artificially lit space. there are no plants to offer a hint of cheer. the only signs of life are the people who venture in there to peruse the remaining shops. they shuffle around, like zombies, unsmiling. or they congregate on the seats by the bin stores, chatting or solemnly, phone in hand, chomping on their sausage rolls from Greggs the bakery. the air smells stale. the people look stale… beaten and depressed.

outside, on the High Street, the homeless huddle beneath their threadbare blankets holding out their dirty paper cups (from their last cup of take out coffee) hoping someone will kindly drop a couple of quid in there so that they can buy another cuppa to warm their hands, their hearts and perhaps, for just a moment, have their faith restored in humanity and the system. or perhaps it will afford them their great escape… a baggie of tobacco, speed or heroin. there is one homeless boy that i talk to frequently. he’s a cheeky chappie with an infectious laugh and toothless grin. he almost always has a smile to give. sometimes i buy him a cup of tea – 3 sugars and lots of milk. i don’t know his name. i asked him once and he said “what does it matter?”. the system is broken.

soon, Fife Council will be decorating the High Street with Christmas lights. a lame, vain attempt to make a silk purse out of a pig’s ear. the reality of economic decline in Kirkcaldy is incredibly sad. heart-breaking. the High Street is lined with many beautiful old buildings, each with unique facades. angels and gryffons gaze down on the street below. beautiful ornate chimney pots that once flew flags of smoke from warm hearths are now home to nesting gulls.

the gulls have moved inland. they have evolved. undeniably, they are intrinsically beautiful birds but are perceived, by many, to be a nuisance as they swoop down and aggressively steal food from the hands of unsuspecting shoppers, often children. to some, this must be terrifying. but we have been instrumental in creating these ‘monsters’… these ‘winged terrorists’. they have no desire or need to scavenge the nearby beach for a morsel of crab, or worms, when they can artfully snag a sausage roll or bag of crisps from the hands of passersby. they have no need to fish in the sea when they can have what’s left of a late night reveller’s kebab or fish supper – dumped on the street – despite the numerous bins provided by the Council. with a smörgåsbord of greasy junk food readily available, why would they exert themselves finding food elsewhere?

and speaking of fish… you can smell a queer and pungent fishy smell as you walk past the fish merchants. the stench heralds your arrival at this store front. my grandparents had a fish shop and i was always told that fresh fish has no smell so, with that said, why oh why does the air outside, on this stretch of road past this shop, reek of rotting fish? rotting fish? it is nauseating, particularly in the hot summer months.

this stench is only challenged in its potency by the smell of blood emanating from the buffalo farm butchers outlet a little further down the road.

pawn shops, phone shops, gift card shops and charity shops are the main staple on Kirkcaldy High Street these days, peppered with take-out joints and the odd and seemingly ‘out of place’ boutique or ‘specialist’ retailer.

the High Street runs parallel to The Esplanade, which has had a surreal amount of money invested in its regeneration. a face-lift… a lamented attempt to prettify, or gentrify, to kick-start the failing heart of the ‘Lang Toun’. new ‘luxury’ waterfront apartments, over-priced and overlooking the grim cold sea, are bolted onto the seaside strip in a prime location next to crumbling and derelict multi-storey car parking facilities. i find this sad, considering less than 500 yards away from these over-priced glass cubes are some of Kirkcaldy’s most beautiful and architecturally interesting old buildings, lying empty and in various states of decay. these mansions, with all their quirks and characterful stonemasonry, that could be even more beautiful with investment of time, money and imagination. but they lie cold and vacant, neglected, sad and forlorn. much like the homeless people huddled in vennels and bus shelters. and yet, these buildings – with their thick stoic walls and gracious ballustrades – remain beautiful. a beautiful reminder of better days. angels and lions look down on the empty street below with a sense of unshakeable pride. oh if only these mansions could talk…

but it is the people that break my heart every day. even before the ‘pandemic’ hit like a tsunami, the people looked sad. i see it in their eyes. i see their sadness, their fear, their frustration. they look beaten… ill… pale, unsmiling and (to use a good old-fashioned Scottish word) totally ‘scunnered’.

a walk along Kirkcaldy High Street is now, for me, a depressing shopping experience despite recent efforts to try resusitate it with pop-up markets on Fridays and Saturdays where stall-holders sell everything from bagels to beard oil… from tray bakes to trout… from artisan candles and quirky jewellery to second-hand vinyl records, knitted goods, wood carvings and printed t-shirts… despite all of this, the dark aura remains.

all the Big Retailers have, one by one, moved out to the retail parks where shoppers can park for FREE and not have to pay the £1.10 for one hour, as they do in the car parks serving the dying High Street. Marks & Spencers, BHS, Tesco, NEXT and Debenhams have all gone.

all that’s left are ghosts. ghosts in empty shops, in empty spaces, in the faces of those i pass by. ghost cars drive right through me as i walk up the middle of the High Street of my memory lane. a High Street that was once very much alive.


(c) Kat McDonald 2021
image (c) Miaow McDonald Photography 2021

Year Zero: Review of Forthcoming Debut Album by Miaow McDonald

The arrival of the debut solo album from a female singer and musician who’s been at the forefront of a couple of the most adventurous, “out there” and completely uncategorisable bands on the Scottish music scene in the last 15 years, is something you anticipate eagerly.

As it turns out, she’s unleashed five tracks to preview the release, so here’s your starter for ten…..or make that five….. as there are five of Scotland’s finest…….

Miaow McDonald plays, sings and co-produces everything other than the drums on all the tracks.  Engineering, production, and other additional instrumentation, by Rob Davidson aka Aged Choir Boy, are credited where due.

Starting with Ambulance -–  it’s a short burst of cyclical bass guitar that opens the proceedings as this softly hushed whisper of a vocal emanates from a darkness below, quietly emotional, then all of sudden a burst of guitars hit you, only to disappear and more bass and voice. this time, going from soft to emotive then rising into a yearning hook, as she laments a fear of loss and the drumming begins. a burning sea of guitar riffs ignite, each clipped short for maximum impact, and so the verses continue, the rollercoaster of vocal emotion that this song exudes until it comes to an abrupt halt.

Fire With Firestarts as a beautifully restrained slice of alt-country balladeering, reminding me of a more haunting, obviously less American, Lucinda Williams, as solid, slow drum beats herald a shimmering desert guitar, a snake slide and above this the vocal wafts like sand across the heat of the landscape; a wordless vocal chorus, adding to the texture, as the slowly unfolding song oozes with feeling and sultry passion, but still holding back as the slide guitar, performed by Aged Choir Boy, becomes Cooder-esque and this magnificent song and instrumental work just gets more and more impassioned as the theme of love hurting like crazy, rolls ever forward in its state of soft anguish.

Pink Lemonade For A Blue Girl is a combination of circus pop, indie strength and flowing delicacy. the moods changing from wistfully melancholic as an almost gorgeously purring vocal takes the sultry side of sadness to heartaching proportions as piano chords hang in the air, then suddenly it’s into the jaunty chorus reminding you of the time when the circus leaves town, with accordion performed by CyberneticZ, only then for the mood and time signature to change yet again as a solid guitar riff echoes and the vocal climbs higher.

A Fucked Up Lovesong, oddly enough, is pretty well exactly that – starting with softly strummed acoustic guitar, a plaintive vocal at the higher end of the scale kicks in, a beautiful piano melody, the voice descends, a guitar riff suddenly crashes in, the vocal moves to pleading and yearning, full of regret and angst, just as you’d expect. The sudden presence of low register strings just adds a whole new textural dimension of abject sadness and a life utterly bleak, as they all disappear, reappear, extra layers come and go, but the so-sad, heartfelt vocal just flows through it all, as what is a truly stunning song and arrangement, continues to unfold.

Finally, Sisterwashes in on waves of electronics as an echoed drum beat and percussion roll in, Miaow McDonald’s voice strides over it with emotive authority and delivers a song like some lost sixties singer in a timewarp of modern era strength. As the rhythms drive slowly forward, the harmonies and backing vocals are a thing of great wonder, flowing like honey, as patient as a saint, but with an underlying mix of menace and melancholy, as synth comets fly by, a bass resonates, guitar chords fracture – and it’s gone.

Overall, as a hymn to love lost, it’s a writing triumph, a vocal tour-de-force full of sadness and inner strength. it’s magnificent, and as an instrumental lesson in restraint, subtlety and texture, it’s perfect. On this evidence, the album promises to be something special………

Year Zero will be released on all digital platforms later this year. 2021.

Andy Garibaldi, a.k.a. Andy G, Dead Earnest Podcasts, Gee Force (Bridge FM Radio 87.7fm)

By reading this and listening to the tracks in pretty blue hyperlinks, you are supporting new music. Life is strange right now… unprecedented. There has never been a time when music and supporting new music / musicians has been more important. Music is medicine. Music is art. Music is therapy.

Aye yours,
Kat x

ps. you can call me Miaow… just like my cat does.

sister

LISTEN HERE…..

i have a lot of female friends. beautiful women. strong and intelligent women. i love them all dearly.
they all have their struggles and face them bravely, like lionesses… warriors.
we share a lot… as women, we talk about how we feel. but it’s not always easy…

these strong women in my life are my ‘sisters’… i am grateful for all that they are, and how they’ve ‘listened’ to me throughout my life… and i mean really listened. they have really cared.

women, as a sisterhood, have a supernatural bond… even their menstual cycles synchronise… isn’t that magical?
women give birth to new life… isn’t that something that is beyond beautiful?

and so, i wrote a song about women… it’s called ‘Sister’ and it’s a celebration of what it means to be ‘woman’, being someone’s mother, sister… or lover… or friend.

<< LISTEN HERE >>

“Sister” is the 5th of 13 or so songs from my forthcoming debut solo album, Year Zero.

“Sister” is also available on all other digital platforms to download and/or stream… iTunes, Spotify, Napster, Deezer, GooglePlay, AppleMusic, TikTok, YouTube etc etc etc…

(c)(p) written & performed by Miaow McDonald

lyrics:

hey… my sister
won’t you come to me
we can walk on the wet sand
and cry in the sea
hey… my sister
won’t you come to me
i’ll brush your hair
until you fall asleep…….

hey… my sister
i’ll be home soon
we can sing in the kitchen
and howl at the moon
hey… my sister
i’ll be home soon
and we’ll dance in the forest
and sleep until noon…

and sleep until noon…

credits:

released March 12, 2021

Engineered/co-produced by Robert Davidson, the ‘Aged Choir Boy‘.

Miaow McDonald: Vocals, Bass, Guitars, Synths, Tambourine Tickles & Scratches

Additional Musicians:

Robert Davidson: Drums, Additional Bass

hashtag kill bill

a dog barks in the distance. the rattle of cups in the kitchen sink. wash them. make another cup of coffee and talk with my cat, Alf. he doesn’t say much. or it may be that he doesn’t have much to say about things. i have back ache. i have tooth ache. i have an c-PTSD, the Doctor said. but things could be worse. i should be grateful. and i am grateful. writing helps. Alf reaches out to me. a stretched out limb. a paw. a gesture. but there is a smell. eucalyptus and menthol. decongest. decongest. in the kitchen, we filter the water. it’s better that way. safer. or so they say. but these tiny impulses and intrusive thoughts colour my perception and shape my behaviour. i will resist the urge. wave after wave. but two shots fired and i would feel so much better. ephemeral. a flash. then nothing. disbelief and feeling numb. joy. complete and utter joy. bread crumbs. so many bread crumbs but still no whole loaf of bread. don’t you find that strange? remember the Cold War? of course you do. those films about what to do in the event of a nuclear holocaust, remember them? they scared me, when i was a child. the siren. early warning. where would i go? how would it feel to be vaporised. rabies too. remember when rabies was something to be hysterical about? i remember the ‘rabies is a killer’ adverts and ‘educational’ films about rabies. fear. it scared me. it scarred me. terrorvision. television. thank you, TV – you played a big part in my paranoia. my OCD. my PTSD. rabies and nuclear war. but we have new things to fear now, don’t we, eh? why is there always a missing sock when you empty the washing machine? where do all the ‘lost’ socks go? the piano against the wall remains unplayed today again. eighty-eight keys to be unlocked. still these intrusive thoughts come. i have no focus. no attention span. no joy. just rage. despair. frustration. hatred. lots of localised hatred. i say localised but by that i don’t mean i hate those around me, in my immediate locality, but by ‘localised hatred’ i mean it is focused. and close. in my face. in everyone’s face. and i think of the sound. the bang. the recoil. the impressive spray of aortic blood. thick. red. viscid. and that smell. a smell that is not easily forgotten. it stays with you. it clings to the very fabric of you, beyond clothing or cladding. it remains there. vile. the very thought brings up bile. but it’s more than bitterness. it’s more than hatred. it is beyond human emotion and comprehension. where do they come from? these demons. all appears normal. have you ever been to a slaughterhouse? or the city morgue? my cat is on the bed by my side. a hot mug of coffee steams to my left and a slab of ginger chocolate lies open, a sweet distraction, broken up in squares. one square bears my fingerprint. another Sunday. not a fun day. a day of (un)rest. my head feels enormous. it must be. to contain all that is inside it. the entire world is inside there. another world entirely. but do not go there. do not enter into that space. that head space. or you may never return. if you do, i guarantee you will be broken. you will not be the same person. these urges. they are not new. i often have these ‘falling down’ days, as i call them. but today they are out of control wild. is all innocence gone? i think of a sweet little girl i met today. she was nine years old, i think. her mother said that her little girl liked my blue hair, and that she is obsessed with having blue or pink hair. her mother continued to say that she may allow her to have her hair dyed blue for Christmas. i laugh. i am trying to remove the blue. i have bleached my head three times now and my hair is still blue. glacial blue as my lover describes it. but maybe this is how things are. nothing can ever be fully erased, just adapted… bleached… diluted… twisted and turned. i wonder… my right foot itches. my left foot is numb. i have been sitting for too long. i must cut my claws. they grow so fast and create fret buzz. i stretch out my limbs, like my cat, mirroring his behaviour. good grief. it will soon be December already. it will soon be the new year. a new year. 2021. and why is grief always ‘good’? the smell of tangerines temporarily fills the room. sweet and juicy. curtains billow, as a breeze flits through the open window. but what is that banging? what strange creatures humans are! complex, yet so stupid. well, with the exception of Tesla, perhaps. it is fifteen hundred hours. coffee. hey, you can shake your head, if you like. i see you. so what?! what of the human mind? why write this? why? random. fingers type today what my mind spews. but still with censorship. i could not possibly write disclose the truth of these thoughts. these intrusive thoughts. of such unequivocal violence, and beauty. like a tiger mauling a fawn. the blood. the ripping sound. the screams. the smell of death. the flash of excitement in the tiger’s eye. that. it is that very thing. the pure joy. unequivocal ecstasy. intrusive thoughts that paralyse me with fear, and yet tickle and arouse me and fill me with complete and utter joy. like a series of horror movies inside my head. fuck. you have to break many eggs to make a fine omelette. Shiva. death and creation. when did you last look closely at the palms of your hands? their shape. their colour. the lines and their depth. their capability? their warmth, or lack of. their softness. hands: capable of nurturing, capable of killing. when did you last look at your own hands in this way? c-PTSD, she said. and what colour is the most dominant emotion you feel today? what does joy taste like for you? right now, it is the sound of Peggy Lee’s Fever. a fantastic song. Amin… then changes to Bbm, i think… after a while and then changes again. fantastic changes. fantastic song. and that voice. it is cold, yet fevered. but does anyone really care about music? does anyone truly care that Harry Styles likes to wear a dress from time to time? who cares! i think more men should wear dresses if they feel so compelled to. who cares? seventy years, they say. seventy years. a lot of chip wrappers in seventy years. so… are you bored yet? or are you curious as to where this train of thought is heading? derailment? oooh i get it… you are a voyeur of the macabre. a ghoul. do you care where this torrent of consciousness is going to sweep you off course to next? you should, but of course you don’t care. and i don’t expect you to. i don’t expect many of you to read it, or read it all the way through. it’s just another chip wrapper, right? maybe that is all we ever are. how long until i am completely forgotten about? when will that very last memory of me perish in someone else’s memory? it is memories that keep the dead alive. please don’t be so morbid, Kat. stop it. think of something funny. Oliver Cromwell. he was a good old fun sponge, wasn’t he? funny…. did he not disallow Christmas celebrations many, many years ago? interesting. fact or factoid. not that i enjoy Christmas much. i don’t believe in Christ. but i do believe in love, and the celebration of love and enjoying the company of those around me who matter. oh hey, out comes the red pen, crossing out thoughts before they tumble out onto the screen… pixel by pixel… and lay open like a laceration from the bite of a Great White. take that any way you will. i do not care. am i losing my mind? possibly. or perhaps it was never really mine in the first place. all that is there came from outside. from other peoples’ doing. from places that pre-date me. it’s really rather fascinating… when you think about it. reality. what is that? the blue of my eyes will be a different shade of blue through your own. and those bananas on the kitchen worktop. they are too ripe and repulsive for my tastes, but to you they might be divine. how do you find memory? in flavours? in colours? in songs? in smells? in shapes? in stuttering, stammering? in dreams? in lovers? in anger, or fear? in the back seat of a car? i remember my dad’s old car. the leather seats. too hot in summer, too cold in winter. i remember the old steering wheel. huge now, compared to today’s steering wheels. or was it just because i was small, back then? it’s all relative. and irrelevant. it’s all quantum. everything. orange walls. warmth. a cocoon. i feel safe here. i feel at home here. but i really want to go to Tokyo. sakura and karaoke. visit friends. visit the snow monkeys. swim with the snow monkeys in volcanic pools. drink tea with robots. i want to go to Tokyo. but not this year. until then, there is YouTube. and there is YouTube until that implodes. until it buckles beneath its own dictatorship. do you find traveling by boat relaxing? or do you prefer rail travel? when i was 14, i wanted to be recruited by the Starship Enterprise. but at 14 we have to make some of the most important decisions that affect our future lives. at 14, we have to choose what subjects we want to study in order to enable our careers and our life path. 14 year old. a child. fuck… i hated school. on reflection, school ruined my life. school, not education. so many of my teachers were wankers. and from these wankers i learned more than school could ever teach me. not to be like them. not to wind up like them. but at 14, i wanted to be a Starfleet Officer – not a child burdened with this level of responsibility. but when should we take responsibility for our own lives? immediately, right? i would say. when did you last look yourself in the eye? is it true that your own reflection is your most honest ally? they never break your gaze. they can stare you down. and they can destroy you. do they always speak the truth? or do we accuse our reflection of lying because we cannot bear to face those truths? terrible pun there… i do apologise. the sky is darkening. tomorrow, i must photograph a tree. there are some incredibly beautiful trees in the park. tomorrow. on the last day of November. okay. cue the loony tunes music… i think it is time to jump off here while all these plates are still spinning….


(c) Kat McDonald 2020

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